Sep
21
Auction Prices for Antique Trays, Mugs, Snuff Boxes
September 21, 2009 | Leave a Comment
Marrow Scoops
George III marrow scoop by J. and J. Perkins, London, 1796 George III plain marrow scoop, engraved with a crest, probably by Christopher Haines, Dublin, circa 1785
Mugs
George II large plain cylindrical mug on circular moulded foot and with boldly modelled scroll handle, engraved with a monogram, by Edward Lothian, Edinburgh, 1742, 25 oz, 6} in high
Two plain George III mugs, each of shaped outline on circular moulded base with double scroll handles and slightly flaring lips, engraved with a monogram, by Patrick Robertson, Edinburgh, 1775, 18 oz 5 dwt, 3J in and
4J in high
Mustard Pots
George III mustard pot, London, 1802, 4 oz
Oval mustard pot engraved with drapery festoons and a monogram, and pierced above with slits and circles, with domed cover and reeded scroll handle, with glass liner, by Robert Hennell, 1788, 3 oz 5 dwt
Early Victorian cylindrical mustard pot with pierced body and initialled cover with flower finial, leafy handle, by Elizabeth Eaton, 1847, 5 oz 6 dwt, 3} in high
Large early George III vasc-shaped mustard pot with pedestal foot, London, circa 1762, 7 oz 10 dwt
Salvers
James II plain circular salver on central spreading foot, the salver with moulded reeded border, engraved with a later monogram, maker’s mark WE mulled above and below, 1688, 16 oz 8 dwt, 10} in diameter
George II circular salver on four foliage scroll feet, the shaped moulded border decorated at intervals with shells and foliage, the centre chased with a band of scrolls, trelliswork and flowers and engraved with a
coat-of-arms in rococo cartouche, by John Robinson, 1745, 64 oz, 1 ft 4 in diameter
George I small plain salver on bracket feet with incurved corners and moulded border, the centre engraved with a
coat-of-arms, maker’s mark missing, 1724, 16 oz 18 dwt, 8J in
square 273 0
George III plain circular salver on three bracket feet, the border stamped with a band of laurel between two beaded bands and the centre engraved with a monogram within flower sprays, by Robert Jones, 1779, 27 oz,
1 ft diameter 252 0
George III circular small salver on three hoof feet with shaped shell and scroll border, the centre chased with a broad band of birds, pagodas and scrolls, engraved with a crest, by Richard Rugg, 1767, 12 oz 9 dwt, 8 in
diameter 60 18
Suits
Set of six George III silver-gilt circular salt cellars, each on three lion’s mask and paw feet with applied shields, with partly fluted bodies and chevron patterned borders, on circular plinths with bracket feet and similar
borders, engraved with a coat-of-arms and motto, by D. Scott and B. Smith, 1803, 97 oz 1,202 0
Sly circular silver-gilt salt cellars with gadrooned borders and open wirework sides, each with circular cut-glass bowl, maker’s mark C.C, 1806, in fitted wood case, 16 oz 8 dwt 420 0
Four circular salt cellars each on three mask feet, the bombe sides chased with flowers and foliage on a matted ground, engraved with a crest and motto, maker’s mark CP., perhaps for Charles Plumley, 1819 and
1821, 22 oz 94 10
Pair of plain boat-shaped salt cellars on collet bases and with reeded rims, engraved with a crest, by Samuel Hcnnell, 1800, 4 oz 17 dwt 55 0
Pair of George III two-handled boat-shaped salt cellars, each on oval moulded foot with reeded borders and loop handles, one salt cellar with partition, by Robert Sharp, 1788, with a pair of old English salt shovels,
1793, 9 oz 18 dwt 39 18
Sauceboats
Pair of George II plain oval sauceboats, each on three paw feet with moulded scrolls above, the shaped rim chased with a narrow band of wave ornament, flowers and scrolls, with double scroll handle capped by a leaf,
engraved with a monogram, by Robert Lowe, Edinburgh, 1748, 14 oz 4 dwt 800 0
Pair of George 11 plain sauceboats, each on three hoof feet with shaped rims and double scrolled handles, engraved with initials, by Bennett Bradshaw & Co, 1740, 15 oz 5 dwt 441 0
George II plain sauccboat on three hoof feet with gadrooned rim and rising scroll handle capped with a leaf, maker’s mark illegible, 1754, 13 oz 1 dwt 120 15
Plain large sauceboat on three shell feet with scalloped rim and rising double scroll handle, engraved with a crest, probably 1758, 12 oz 4 dwt 65 0
Snuff Boxes—See Small Decorative Antiques
Sugar Basins—Sec Baskets—Sugar
Tapersticks—See Candlesticks Tankards
Queen Anne cylindrical tankard and cover on fluted low domed base with a moulded rib round the body and scroll handle, the stepped domed cover chased with bands of flutes and punched motifs, with openwork scroll
thumbpiece, the front engraved with a strapwork and scrolling cartouche enclosing a later applied medallion, by Isaac Dighton, 1703, 31 oz, 7J in high
Charles II cylindrical tankard and cover on reeded foot, the raised cover with corkscrew thumbpiece, chased in the Chinese taste with figures, exotic birds and plants and engraved with a coat-of-arms in plume mantling,
maker’s mark R in script, pellet below, 1677, 19 oz 12 dwt, 6 in high
George II plain tankard of shaped outline on circular moulded foot with a rib round the body, double scroll handle and openwork scroll thumbpiece to the domed cover, engraved with a monogram in a scroll and foliage
cartouche, by Wililam Grundy, 1756, 30 oz, 8 in high
George III plain cylindrical tankard and cover on spreading base with a moulded band around the body, the domed cover with pierced scrollwork thumbpiece, by S. Godbehere and E. Wigan, 1786, 24 oz, 7| in high
Tea Caddies
Set of two George II silver-gilt tea caddies and an oval sugar box each of inverted pear shape, the foot chased with panels of scalework and flowers, the body chased with foliage and flutes, and repousse with
sunflowers, roses and other flowers, the domed cover similarly chased with bud finial, engraved twice with a coat-of-arms within chased rococo surrounds and with two crests, by William Grundy, 1744, 44 oz, 7} in high
George III oval tea caddy with shaped domed cover, urn finial and beaded borders, engraved with two bands of wrigglcwork enclosing quatrefoils and two oval cartouches enclosing a coat-of-arms and monogram, by
Hester Bateman, 1790, 10 oz 1 dwt
George III shaped oval tea caddy, the body bright-cut with formal floral borders, engraved twice with an initial, the domed cover with similar border and urn finial, with original key, by Joseph Scammell, 1791, gross
weight 12 oz 10 dwt
Plain oval tea caddy, the raised hinged cover with urn finial, engraved with a crest, maker’s mark JS in script, perhaps for John Sanders, 1794, 10 oz 15 dwt, 5 J in high
Tea and Coffee Services
George III tea and coffee service comprising compressed spherical teapot, sugar basin and cream jug, oval tea-kettle, stand and lamp and vase-shaped coffee pot, stand and lamp, each piece on rim foot and with high
collar, the stands on
four reeded scroll feet, engraved with a crest and coronet, by William Burwash, 1812, gross weight 143 oz 900 0
George III parcel-gilt tea service comprising teapot, sugar basin, and cream jug, each on circular ovolo foot and with ovolo rim applied with silver-gilt satyr’s masks entwined with snakes, the teapot with gilt foliage
spout and ivory handle terminating in a satyr’s mask and a winged monster, the slightly domed cover with baluster finial engraved with a rosette, the basin and cream jug with gilt double serpent loop handles, engraved
with a coronet, motto and initial, by Paul Storr, the teapot and cream jug, 1812, the sugar basin, 1813, 69 oz 787 10
George III tea and coffee service comprising circular teapot, pear-shaped coffee pot, two-handled sugar basin and cream jug, each on circular foot chased with flowers, scrolls and shellwork on a matted ground and
engraved with a crest and monogram, the tea and coffee pots with curved spouts and twig finial to the domed cover, the sugar basin and cream jug with scroll caryatid figure handles, by Thomas Wallis and Jonathan
Haync, 1817, gross weight 89 oz 588 0
Victorian tea and coffee service richly decorated with flowers, fruit and foliage, scrolls and cartouche panels, by J. Muir-hcad & Son, Glasgow, 1861, 70 oz 400 0
Teapots and Stands
George I plain octagonal pear-shaped teapot on rim foot with
curved spout and baluster finial to the domed cover, by Joseph
Ward, 1717, gross weight 13 oz 9 dwt 2,600 0
George II bullet-shaped teapot on circular moulded foot, the curved spout with stylized foliage base, the shoulder and flat cover chased with strapwork, shells and scrolls, engraved with a vacant baroque cartouche, the
scroll wood handle capped with silver leaf, by Sampson Bennett, Exeter, 1759, gross weight 14 oz 1 dwt 682 10
George I plain circular teapot stand on four bracket feet with moulded border, the reverse engraved with initials, maker’s mark indistinct, 1718, 6 oz 15 dwt, 6 in diameter 315 0
George III oval teapot on moulded foot with straight spout, centrally domed cover and beaded borders, engraved with a crest and motto and later monogram, maker’s mark, perhaps S.W. for Samuel Wood, 1785, gross
weight 14 oz 16 dwt 126 0
George III circular teapot of plain design, London, 1808, 21 oz 108 0
Early Victorian teapot, plain compressed melon-shaped body, fluted curved spout, melon finial and loop handle, on four anthemion feet, by Joseph and Albert Savory, 1843, gross weight 26 oz 1 dwt, 6} in high 95 0
George III teapot of compressed circular form, the matt ground chased with upright acanthus leaves and a girdle of lozenge and foliated motifs, a melon knop to the cover, by Peter and William Bateman, London, 1805,
19 oz 60 0
Trays
George III two-handled oval tray on four gadrooned feet, die
SOME AUCTION ROOM PRICES : 1969-70
fluted out-curved border with gadrooned rim and with gadrooned and foliage handles, engraved with a coat-of-arms within plume mantling, by Thomas Hannam and John Crouch, 1801, 89 oz, 1 ft 9J in wide Early
Victorian two-handled oval tea tray engraved with armorials, leafage and flowers, applied scroll border with flowers and beads, similar handles and four pierced panel feet, by E. E. J. and W. Barnard, 1840, 736″ oz 17
dwt, 2 ft 4 in wide
George II snuffer tray of hourglass shape on four shell and hoof feet, with scalloped edge and double scroll handle, engraved with a monogram in scrolling foliage cartouche, by William Cafe, 1757, 7 oz 12 dwt, 7} in
wide
Vinaigrettes—Sec Small Decorative Antiques
Waiters
George II shaped circular waiter on three bracket and scroll feet, the outcurved fluted border with shaped rim, engraved with a narrow band of beads with foliage at intervals, the centre with a crest in a foliage
cartouche, by S. Herbert & Co, 1 757, 6 oz 18 dwt, 6} in diameter
George III small circular waiter on hoof feet with shell and scroll border, the centre chased with a band of flowers, by Ebenezer Coker, 1760, 8 oz 17 dwt, 7} in diameter
Circular waiter on claw-and-ball feet, chased later with flowers, scrolls and wave ornament and engraved with the royal crown and cypher of William IV and a monogram, by R. Jones and J. Schofield, 1776, 7 oz 17
dwt, 7 in diameter
Wine Coolers
Pair of George III campagna-shaped wine coolers on circular feet chased with a band of quatrefoils and acanthus foliage, the bodies fluted below and with entwined vine tendril handles, extending below the lip with
everted ovolo border, engraved twice with an initial, by Paul Storr, 1817, 137 oz, 104 in high
Pair of Victorian wine coolers and liners with plain fluted campagna-shaped bodies, shaped gadroon-knopped stems and shaped circular bases, by John S. Hunt, 1855, 178 oz 18 dwt, 12J in high
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21
Auction Prices for Antique Jugs, Cutlery and Candlesticks
September 21, 2009 | Leave a Comment
SILVER Baskets for Bread, Cakes or Sugar
George III oval cake basket on moulded foot, pierced with arcading, the interior bright-cut and pierced with bands of foliage and arcading and the centre engraved with a coat-of-arms, with shaped reeded rim and
swing handle, by Robert Hcnncll, 1790, 29 oz, 1 ft 2f in long 230 0
Large oval bread basket with bead edge and reeded swivel handle, by John Schofield, London, 1785, with intaglio duty mark 38 oz 185 0
William IV oblong cake basket with swivel handle and applied acanthus foliage to the rim, by Henry Wilkinson & Co, Sheffield, 1837, 34 oz 140 0
Large George III oval bread basket with bead edge and swivel
handle, London, 1785, with intaglio duty mark 100 0
George III circular sugar basket with reeded swivel handle,
London, 1799, 8 oz 42 0
Candelabra and Candlesticks
Pair of George III table-candlesticks on circular bases engraved with bright-cut stylized foliage, the tapering octagonal stem and vase-shaped socket engraved with pendant foliage, with detachable nozzles, by Hester
Bateman, 1781, 1 If in high 2,625 0
William IV candelabrum, of elaborate rococo form, richly ornamented with clusters of roses and old English garden flowers amidst acanthus scrolls, with imperial eagles issuing from the base and supported on shell
volute feet, by Paul Storr, London, 1834, 253 oz, 2 ft 4 in high 1,920 0
Pair of George I plain octagonal table-candlesticks each on facetted base with octagonal baluster stem, with facetted vase-shaped socket and circular fixed nozzle, engraved with a crest, maker’s mark Me, probably for
Thomas Merry, 1714, 21 oz, 7 in high 1,207 0
Pair of George IV three-light candelabra, the shaped circular
bases and partly fluted baluster stems chased with scrolls and acanthus foliage, with two reeded and foliage branches and central light each with vase-shaped socket, with detachable nozzles and flame finial to the
centre engraved with a crest, by John Watson, Sheffield, 126 oz, 1 ft 10| in high 892 0
Pair of George II table-candlesticks, each on shaped square base and baluster stem, chased at the angles with shells, the vase-shaped sockets with detachable nozzles, by William Gould, 1751, nozzles unmarked, 23 oz,
7| in high 630 0
Two George III tapersticks, the domed bases chased with rocaillc ornament and flowers, the stems formed as figures of Harlequin and Columbine supporting a fluted wax-pan, moulded socket and nozzle, the Harlequin
circa 1765, marks indistinct, the Columbine by William Bateman, 1814, 10 oz 14 dwt, 5J in high 300 0
Two George III plain chamber-candlesticks with reeded rims, vase-shaped sockets, detachable nozzles and extinguishers, engraved with a crest, 1792 and 1801, 18 oz 15 dwt 168 0
Chamber-candlestick with foliage and beaded border and floral vase-shaped socket, with detachable nozzle and extinguisher, engraved with a crest, by John and Thomas Settle, Sheffield, 1824, 15 oz 5 dwt 95 0
Casters
Set of three Queen Anne plain octagonal vase-shaped casters, each on moulded foot, the covers pierced with geometric ornament and foliage motifs and with baluster finials, engraved with a crest, by Charles Adam,
1713, 23 oz, 6J in and 7} in high 1,100 0
Queen Anne pear-shaped caster on circular moulded foot, the lower part of the body chased with vertical fluting with band of matting and moulded rib above, the domed cover pierced and engraved with foliage and
quatrefoils and with baluster finial, by William Denny, 1704, 6 oz 12 dwt, 7} in high 399 0
George I plain pear-shaped caster on circular moulded foot, with a rib round the body and high domed cover pierced with slits and with acorn finial, Dublin, 1724, 4 oz 7 dwt, 5} in high 105 0
George III plain pear-shaped caster on circular moulded base, the cover with written finial, 1769, maker’s mark ID IM, 3 oz 1 dwt, 5J in high 80 0
Coasters—Wine
Set of four George HI circular wine coasters, the pierced and trclliscd galleries clustered with fruiting vines, by William Bateman, London, 1817 720 0
Pair of George III silver-gilt wine roasters, the galleries pierced with rlii«ter« of fruiting vines, by Samuel Godbchcrc and Edward Wigan, London, 1805 320 0
Pair of circular wine coasters with a band of flutes around the sides and gadrooned foliate rims, the prints engraved with a crest, by Waterhouse & Co, Sheffield, 1814 60 0
Coffee Pots
George I plain tapering octagonal coffee pot on moulded rim foot with tapering polygonal spout and baluster finial to the domed cover, engraved with a coat-of-arms in scroll and foliage cartouche, by William Paradise,
1726, gross weight 23 oz, 91 in high 2,900 0
George II plain tapering cylindrical coffee pot on circular moulded foot with facetted curved spout and low domed rover with baluster finial, by Gabriel Sleath, 1735, gross weight 19 oz 14 dwt, 8 in high 1,207 10
George III plain pear-shaped coffee pot on circular beaded base, the curved beaded spout capped by a leaf and the domed cover with urn-shaped finial, engraved with a crest, by Hester Bateman, 1781, gross weight 28
oz, 11} in high 1,100 0
George III plain pear-shaped coffee pot on circular moulded foot with curved spout chased with a shell and domed cover with fluted baluster finial, (handle broken) by William Shaw, 1762, gross weight 21 oz, 9} in high
George II pear-shaped coffee pot on circular moulded foot, the liody and domed cover fluted and chased with flowers and foliage, with shell ornament to the curved spout and flower finial to the cover, by Thomas
Whipham, 1735, with latent silver handle, gross weight 35 oz, 9} in high
Victorian coffee pot of oval form, the body crested and engraved with bright-cut, straight fluted spout, ivory finial and handle, by Stephen Smith, 1870, gross weight 20 oz 11 dwt, 8} in high
Cruets
George III oval cruet frame on four claw-and-ball feet with beaded rim, the sides pierced and bright-cut with slits, festoons and paterae, and with central loop handle, engraved with a crest, with eight various
silver-mounted cut-glass bottles, maker’s mark I.W., 1785 75 0
Victorian seven-bottle cruet frame, the sides pierced and chased and on four panel supports, the central handle formed as entwined foliage, with eight cut-glass bottles, three with silver mounts, by Henry Wilkinson &
Go, Sheffield, 1869, wooden base 58 0
George III cinquefoil cruet frame on claw feet, the frame pierced with geometric ornament and the centre with corded handle, with five various cut-glass bottles and casters, each with writhen finial, by E. Aldridge & Go,
1760, with additional handle and caster cover 30 0
Cups and Goblets
George III stirrup cup formed as a fox’s mask, with backswept cars and realistically chased coat, engraved with later initials, 41 in long, by Henry Tudor and Thomas Leader, Sheffield, 1778, 3 oz 15 dwt 760 0
George I plain two-handled cup on circular base with moulded band and harp-sided handles, engraved with a coat-of-arms in
baroque cartouche, 7} in high, by Phillip Kinnersly, Dublin,
1717, 36 oz 504 0
Charles II plain tumbler cup pricked with initials and dated 1677 and engraved with a later coat-of-arms, struck twice with the mark S over V in shaped cartouche and T.C. between annulets, 2J in high, circa 1675, 5 oz
4 dwt 367 10
George II two-handled cup and cover on circular moulded foot, the body chased with flowers, scrolls and two rococo cartouches containing a coat-of-arms and crest, with double scroll handles, the domed cover chased
with vine foliage and flowers and with bud finial, I I .1 in high, by Thomas Whip-ham, 1746, 47 oz 252 0
Pair of George III goblets on circular stepped feet, the lower part of the campagna-shaped bodies with matted tulip and acanthus decoration, the rims engraved with bright-cut hops, 6j in high, by R. Ernes and E.
Barnard, 1809, 22 oz 160 0
George III goblet on rim foot chased with foliage on a matted ground, the lower part of the body applied with swirling foliage, with a band of vine foliage above, 6f in high, by R. Ernes and E. Barnard, 1817, 12 oz 11
dwt 85 0
George III plain goblet on trumpet-shaped foot decorated with a band of beading, the bowl engraved at a later date with a band of scrolls, 5} in high, by Peter, Anne and William Bateman, 1800, 5 oz 17 dwt 35 0
Cutlery—Canteens and Services
Canteen of King’s pattern table cutlery comprising twelve dinner forks, twelve dessert forks, twelve teaspoons, twelve dessert spoons, twelve tablespoons, soup ladle, by William Smiley, London, 1857, 160 oz. Matching
serving spoon, 1-ondon, 1898. Matching set of twelve dinner knives and twelve dessert knives with stainless steel blades, by Messrs Viners, Sheffield 520 0
Victorian table service with shell and thread decoration, comprising twenty-four table forks, twelve table knives, twelve dessert forks, twelve dessert knives, twelve tablespoons, twelve dessert spoons, twelve steak
knives, twelve tea knives, twelve soup spoons, two soup ladles, two serving spoons, twelve pastry forks, twelve teaspoons, twelve fruit spoons, two sauce ladles, pair of salad servers, set of six fish knives and forks, an
asparagus set, London, 1898, 296 oz 400 0
Cutlery—Forks Dessert
Six George III threc-pronged dessert forks bearing two maker’s marks, I.C. and M.G., one presumably on resale, Dublin, \17*,5ozl8dwt 105 0
Five George II threc-pronged dessert forks, each engraved “Spread Eagle, Graccehurch Street’, probably by James
Whitthorne, Dublin, circa 1745, 4 oz 10 dwt 95 0
Twelve Victorian fiddle-pattern dessert forks, London, 1844
and 1845, 20 oz 10 dwt 44 0
Set of six early Victorian dessert forks, Exeter, 1853 19 0
some auction room prices : 1909-70
Cutlery—Forks Table
Twelve Queen Anne three-pronged table forks engraved with a crest and motto, by William Ged, Edinburgh, 1710, Assay-master Edward Penman, (marks on three worn), 23 oz
Twelve George II three-pronged table forks engraved with a crest by Philip Roker, 1748, (marks on most indistinct) 25 oz
Twelve three-pronged old English pattern table forks, each engraved with a crest, seven by Richard Crossley, 1782, five 1780, 1781, etc, 25 oz
Set of six Victorian table forks with acanthus handles and shell decoration to the reverse, London, 1898, 20 oz
Three George III table forks by Richard Crossley, London, 1804, 6 oz 10 dwt
Cutlery—Knives
Twelve George I table knives and twelve cheese knives, the tapering cylindrical handles with ball finials, with steel blades, circa 1725, (maker’s mark only T.S. legible on six of each
category)
Eighteen table knives with Victorian silver handles Forty-three Victorian table knives with silver reeded handles engraved with a crest
Cutlery—Ladles
George 111 old English pattern soup ladle engraved with initials,
by Hester Bateman, 1788, 4 oz 7 dwt King’s husk pattern soup ladle by William Eley and William
Fearn, 1822, 10 oz 4 dwt George II plain punch ladle engraved with a monogram, with
baluster wood handle, possibly 1723
Cutlery—Spoons Dessert
Set of six George III silver-gilt dessert spoons of plain design by William Sheen, London, 1785, intaglio mark, 8 oz
Six George III old English pattern dessert spoons by Peter, Anne and William Bateman, 1804, 5 oz 17 dwt
George IV fiddle pattern dessert spoon by William Eley, London, 1825
Victorian dessert spoon, London, 1845
Cutlery—Spoons Serving
George IV long-handled serving spoon, London, 1825 Victorian long-handled serving spoon, London, 1852, 6 oz 10 dwt
Cutlery—Spoons Table
Twelve various rat-tailed tablespoons, mainly engraved with
initials or monogram, 1718, 1721, 1726, etc, 18 oz 16 dwt Pair of Queen Anne rat-tailed tablespoons with dog-nose tops,
each engraved with the initials T.R.M. and a later monogram,
by Isaac Dalton, 1709 Pair of George III silver-gilt tablespoons by William Eley and
William Fearn, London, 1817, 7 oz George III tablespoon, London, circa 1820
Cutlery—Spoom Tea and Coffee
Set of seven William IV teaspoons of plain design by Mary
Chawncr, I-ondon, 1835, 5 oz 20 0
Set of six Victorian teaspoons with reeded handles and
engraved crests, London, 1838, 5 oz 9 0
Dishes and Plates
Twelve George III dinner plates with shaped gadrooned borders, engraved with two crests and a motto, maker’s mark W.S., perhaps for William Stroud, 1805, 227 oz, 9j in diameter 1,680 0
Set of four George III plain octagonal entree dishes and covers with moulded gadrooned borders, each engraved with a coat-of-arms and three crests, the raised covers with a bud finial (two missing), by J. Wakelin and
R. Garrard, 1798, 168 oz, 12.1 in long 735 0
Pair of William IV plain oblong partly fluted entree dishes and covers, the dishes with foliage scroll borders and the covers with similar loop handles, engraved with a coat-of-arms, maker’s mark llll. Birmingham, 1834,
115 oz, 1 ft 1 in long 390 0
Large oval vegetable dish and cover, the dish with shaped shell and scroll border the domed cover with pomegranate finial, with tripartite division, engraved with a coat-of-arms and motto, by Robert Garrard, 1828, 102
oz, 1 ft 2J in wide 273 0
Victorian oval entree dish with moulded rim and semi-
gadrooned cover, Sheffield, 1897, 49 oz 100 0
Jugs—Cream and Milk
George II plain pear-shaped cream jug on three hoof feet with scalloped rim and double scroll handle engraved with a crest, Bristol, circa 1740, 3 oz 6 dwt 440 0
George III plain helmet-shaped cream jug on square base with beaded border and loop handle, engraved with initials, by Hester Bateman, 1790, 2 oz 8 dwt 105 0
George III helmet-shaped cream jug on three lion’s mask and paw feet, the body chased with festoons of fruit and flowers, scrolls and wave ornament, with shaped rim and double scroll handle, engraved later with two
crests and a coronet, maker’s mark WW, probably for William Ward, Dublin, circa 1800, 4 oz 14 dwt 52 10
George III oval cream jug of shaped outline with reeded rim and loop handle, engraved with bands of bright-cut ornament and an escutcheon, maker’s mark IM, 1802, 3 oz I dwt 42 0
Jugs—Water
Plain vase-shaped hot-water jug on circular foot with gadrooned shoulder and foliate lip, the body and curved cover engraved with the cypher of William IV, crown and garter motto and royal dural coronet and
monogram AS, for Princess Augusta Sophia, by Robert Garrard, 1834, gross weight 18 oz 19 dwt, 7 in high 190 0
Victorian Scottish hot-water jug of tapering form, the chased body with satyr mask spout and leaf-capped handle, crested,
maker’s mark M.C. & Co, Edinburgh, 1874, 27 oz 14 dwt, 104 >n high
Victorian cone-shaped hot-water jug with spherical knop, London, 1870, gross weight 12 oz
Jugs—Wine and Ate
George II plain pear-shaped covered wine jug on circular moulded foot, with double scroll handle capped by a leaf and domed cover with corkscrew thumbpiece, with moulded drop beneath the spout, by Jacob Marsh,
1743, 9 in high
Victorian circular wine jug with matted finish and gilt interior, short neck, everted lip, flat hinged cover and baluster finial, by Stephen Smith, 1878, 15 oz 10 dwt, 6 in high
Tags: acid etched lamps, aesthetic movement furniture ash wardrobe, alvar aalto 3 tier gallery shelf, amboyna salon table, american art deco dining room sets early 20th century, american regency pedestal tavern table, american victorian drop leaf pedestal table, antiq french fufniture, antique spanish trestle table with inlayed top, antique square oak dining table ny, antique +creamers martin brothers, antique +dresser +curved, antique american oak buffet, antique baby plate warmer, antique ceramic commode, antique chair patterns, antique chair with horsehair, antique chestnut drop leaf table, antique china hair receiver, antique chinese spider collapsible dragon table, antique coalport and nickel egg cups, antique daybed sofa movable sides, antique desk on pedistal feet, antique dresser, antique drop leaf tables, antique drum parlor table, antique drum round table, antique english majolica, antique european writer's desk leather, antique footstool with wheels, antique gate leg round table 1800's, antique harlequin meissen porcelain, antique iberian needlepoint rug portugal, antique italian half circle marble-top table, antique korean mother of pearl chest, antique lion figures, antique mahogany chippendale clawfeet bureau drop front, antique mahogany console table empire, antique mirrored bedhead, antique mother of pearl inlaid side table, antique oak carved spirits cabinet, antique octagonal sewing table english, antique oval drop leaf table gateleg, antique oval pedestal desk, antique plain console, antique posset, antique pottery made in italy, antique reproduction ladies drop-front writing desk wal, antique roll top 1800 century writing bureau, antique round end table with leather top and side openi, antique six leg table, antique spanish oak table carved, antique square leg styles, antique walnut concave display cabinet, antique wiliam mary chests, art deco dining table with concave barrel pedestal, art deco harp table, art deco old chairs, art deco shelley plates block design, art wood "mother of pearl" inlay, arts and crafts cherry wood dressing table, AUCTION, austrian furniture style, baluster, balustre oak lamps kent, band, barley twist furnture table legs, barley twist leg chairs, baroque antique furniture marble and walnut occasional , bay view furniture gateleg drop leaf antique table, bentwood chairs austria, black lacquer table curved legs, black market german antique figurines, blonde mahogany lamp table, blown glass medicine bottles, blown three mold glass bottle green, bowl, cake basket, candelabrum, cover, decoration, designs, dessert, dwt, English, finial, foliage, garden flowers, george i, george iv, henry wilkinson, hester bateman, high, john schofield, john watson, liody, Matching, octagonal table, ornament, paul storr, Queen Anne, round, rover, silver baskets, two small drawers and cupboard, Whipham, william ivSep
21
Auction Prices for ANTIQUE CLOCKS, WATCHES AND BAROMETERS
September 21, 2009 | Leave a Comment
CLOCKS, WATCHES AND BAROMETERS
Bracket Clocks
Regency bracket clock by Dcvereux Bowly, London, with silvered chapter-ring and brass foliated spandrels, in an ebony case with brass acorn finials 390 0
George II ebony bracket clock with striking movement signed on face and back-plate, William Webster, Exchange Alley, London, 1 ft 6 in high 200 0
George III mahogany bracket clock with whitened dial and engraved back-plate, signed Pcrigal, London, with striking verge movement, the plain arched case with brass lifting handle and feet, 1 ft 14 in high 100 10
Regency bracket clock with striking movement, the dial inscribed James McCabe, Royal Exchange, London, No 1652, in a rosewood case, with brass inlay, having a pineapple finial, 1 ft 9 in high 80 0
Nineteenth-century mahogany bracket clock with ornate ormolu mounts, the silver chapter-ring by J. W. Benson, Ludgate Hill, 1 ft 5 in high 51 0
Nineteenth-century boulle bracket clock, the front inlaid with brass scrolls on a red tortoiscshcll ground, mounted with ormolu, the sides ebonized, 1 ft 1 in high 47 0
Georgian bracket clock, the dial inscribed John Moss, London,
in a mahogany case, 1 ft 3 in high, and a bracket 35 0
Nineteenth-century mahogany bracket clock in a domed case
and supported on bracket feet, the movement by J. Smith & Son, Nottingham, 12J in high
Carriage Clocks
Cloisonne enamel carriage clock with striking alarm movement, the glazed case with column angles, inlaid with flowers and birds, 6 in high
Gilt metal carriage clock with striking alarm movement, in plain
glazed rase and leather outer case, 5i in high Nineteenth-century French carriage clock in a chased brass case,
with enamel dial, by A. Paul Broth, Devin & Co, Paris, 5} in
high
Nineteenth-century carriage clock and barometer in a brass and glass case, the top inset with a compass, 4$ in high
Nineteenth-century French carriage clock in a brass and glass rase, 5 in high
Lantern Clocks
Brass lantern clock, signed on the dial Thomas Simonds, Fleet Street, the bell canopy with sides pierced and engraved with a coat-of-arms, 1 ft 3i in high
F.ightecnth-ccntury brass lantern clock with long pendulum, by Bent Edwards, Bungay
Longcase Clocks
Queen Anne marquetry longcase clock, the striking movement by Jabez Stock, London, with silvered llj-in chapter-ring, gilt mask and foliage spandrels, second dial and calendar aperture, the fruitwood and walnut case
with moulded cornice and a bull’s-eye window, profusely inlaid in contrasting scorched and light woods with scrolling foliage, strapwork, birds, angels, and a Chinaman and a monkey, 6 ft 11 in high
William and Mary longcase clock, by Joseph Foster, Exchange Alley, in a walnutwood and marquetry case elaborately inlaid in coloured woods, a pendulum aperture to the waist, a silvered chapter-ring with brass
foliated spandrels, the square hood with barley-twist pilasters
George II black lacquer longcase clock, the striking movement signed William Webster, London, with pierced mask and foliage spandrels, seconds dial and calendar aperture, and with strike/silent regulator in the arch
disguised as a second dial, the case with arched hood, the borders decorated with gilt chinoiseries on a distressed blue ground, the waist door inset with bevelled mirror plate, 7 ft 4 in high
George II inlaid mahogany longcase clock with a swan’s neck pediment and a brass face inscribed, John Grundy, Whalley
George III mahogany longcase clock, the striking movement with silvered metal chapter-ring and chased spandrels to the arched dial, in case with fluted columns to the sides and spirally turned columns to the hood with
pierced scroll fretwork pediment and brass finial, 8 ft 7 in high
Regency mahogany longcase clock, the striking movement with
painted dial, the case with arched hood, fluted chamfered angles and circular glazed door to the hood, 6 ft 9 in high 29 8
Nineteenth-century oak longcase clock with swan’s neck pediment, reeded columns and painted dialplate, by Burton, Kendal 14 0
Mantel Clocks
Late seventeenth-century mantel clock with 8-in silvered and brass dial engraved in the centre with tulips and draperied cartouche, with eight-day pull quarter repeating verge movement by ‘Abraham Prime, Londini
fecit’, signed on the dial and engraved back-plate, in a walnut case with heavily moulded top and base, and spiral columns, 1 ft 4J in, circa 1680 780 0
Nineteenth-century French mantel clock, the dial inscribed ‘Julien Lcroy, Paris’, in an ormolu case with two female figures and surmounted by an urn, on a rectangular plinth, 2 ft 4 in wide 155 0
Nineteenth-century French mantel clock, the dial inscribed ‘M. Rhode, Paris’, in a white marble inlaid case, with an ormolu figure of a muse holding a book, 1 ft 4 in high 58 0
Nineteenth-century French mantel clock, the dial inscribed ‘Carticr a Paris’, in an ormolu case, with a bronze figure of a muse, on a white marble plinth, 1 ft 11 in wide 52 0
Nineteenth-century French mantel clock, the dial inscribed ‘Miroy BrevetcV, in a rustic bisque case with a woman beside a basket of fruit, 1 ft 24 in high 32 0
French mantel clock in an ebonized and scarlet boullework
case, with gilt metal mounts, 1 ft 5 in high 26 0
William IV mahogany mantel clock, inlaid with brass lines,
1 ft 54 in high 21 0
Watches
George III 22-carat gold repeater watch by Samuel Jones of Bath, in a richly chased and pierced case with enamelled outer case and gilded and enamelled chatelaine, depicting figures in eighteenth-century dress, dated
1774 560 0
Half quarter repeating cylinder watch by Ellicott, No 8432, with white enamel dial, well pierced and engraved gold pair cases, the inner engraved with a mask, a small landscape and the number, striking on a bell, H.M.
1791, case maker V.W., with a carrying case 180 0
Georgian 18-carat gold pocket watch by Ellicott & Taylor,
London, with a matt gold face and engine-turned case 60 0
Eighteenth-century verge watch by I. Donbrog, London, No
14231, with an enamel dial, in a Dutch silver outer case 23 0
Early nineteenth-century free-sprung duplex watch with compensated balance and jewelled train by Lupton & Gillam, St Martin’s Lane, London, in a silver open face case, H.M., 1824. An inscription on the cuvette reads,
‘The gift of H.R.H. Prince Albert to R. Cripps, 1849′ 20 0
Late eighteenth-century silver pocket watch by John Cartlcy of
Aberdeen, with duplex movement 10 0
some auction room prices : 1969-70 249
Ј s
Half-hunter pocket watch by Barraclough, Leeds, in a silver
case 10 0
Barometers
Early Victorian mahogany barometer with silvered scale and ivory urn finials, by T. & J. Mason, 3 Essex Bridge, Dublin, 3 ft 5 in high 100 0
Georgian stick barometer in a nut-brown mahogany case, by V.
Cattaneo, Stockton 100 0
Georgian mahogany stick barometer, inlaid with ebony and
boxwood, by Jones, London 56 0
Georgian mahogany stick barometer by F. Wcstley, London 45 0
Rosewood stick barometer by J. Tagliabue, London 32 0
Mahogany banjo barometer with a convex mirror at the centre
by Harris, Burford, 3 ft 2 in high 28 0
Mahogany banjo barometer and thermometer by L. Pedrone 25 0
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21
Auction Prices for Antique Tables
September 21, 2009 | Leave a Comment
Tables—Breakfast
Regency mahogany pedestal breakfast table, with reeded border to the almost rectangular top, with crossbanded border, on turned pedestal support with four reeded, curved and tapering legs, brass toes and castors,
4 ft 10 in wide 147 0
Georgian banded mahogany snap-top breakfast table on pillar
and splayed quadruple base, 5 ft by 3 ft 11 in 130 0
Georgian mahogany snap-top breakfast table on turned pillar
with quadruple base, 5 ft 4 in by 3 ft 6 in 105 0
George III mahogany breakfast table, with rounded rectangular top hinged to a baluster pillar, raised on three reeded curved square legs with lion’s paw castors, 3 ft 5J in wide 78 15
Tables—Card
George II mahogany card table with serpentine folding top, the frieze httcd with a drawer and with gadrooned lower edge, raised on cabriole legs carved with acanthus foliage, ending in claw-and-ball feet, opening with
double gate-leg action, the back legs meeting at the centre when closed, 3 ft wide 441 0
Regency mahogany card table, with break-front top and a frieze drawer, edged with contrasting lines, on square tapering legs, 2 ft 11 in wide (the top screwed down) 157 10
George III mahogany card table, the folding top with break-front, on square tapering legs, banded with zebra-wood, 3ft wide 57 15
George III mahogany card table, with semi-circular baize-lined folding crossbanded top, on square tapering legs with double gate-leg support, 3 ft 3i in wide 52 10
Victorian walnut card table with folding top, on end supjx>rts
with central stretcher, 3 ft wide 36 0
Early Victorian rosewood card table with folding top, on pillar
and platform base, 3 ft wide 18 0
Tables—Centre
Circular giltwood centre table with a Cretan inlaid marble slab depicting four doves at a vase, with specimen shells to the border, on gilt rustic column support and tripod base with a nymph in relief, 3 ft diameter 399 0
Early Victorian small centre table, the burr-walnut top inlaid with a band of wild roses, with cbonized border, on gadrooned pillar and heavily moulded cabriole legs, 2 ft 8 in diameter 47 5
Victorian walnut oval cenu-c table with inlaid top, on cluster
column and quadruple base, 4 ft 6 in 10 0
Tables—Dining
George IV mahogany telescopic dining table with rounded rectangular top, supported on twelve turned legs with spirally reeded centres and castor feet, supporting two end sections and five extra leaves, 4 ft 6 in wide
by 4 ft 8 in, extending to 12 ft 10 in 252 0
Late Georgian mahogany twin-pedestal dining table with rounded rectangular top with reeded edge, on hinge-turned
supports and moulded square splayed legs, with an extra leaf,
3 ft 6 in wide by 6 ft 1 in extended George III mahogany rectangular dining table, with two
narrow leaves, the moulded square legs dividing and running
outwards to support extra leaves (missing) 4 ft 5J in wide Victorian walnut oval-end extending dining table on platform
base, fully extending to 6 ft by 4 ft 6 in Victorian inlaid walnut oval dining table on cluster column
with quadruple base, 4 ft 3 in Victorian mahogany dining table on fluted legs, 4 ft by 3 ft 9in
Tables—Drum
George III mahogany circular drum table, the top inset with light brown leather, the frieze fitted with four drawers and alternate false drawers, on ring-turned baluster support and on square tapering legs with block
feet, 5 ft 4J in wide
Regency mahogany drum table, with circular leather-lined flush top, fitted with four drawers and alternate false drawers, on ring-turned pillar and four splayed square legs with brass castors, 3 ft 8J in wide
Tables—Games, Sewing and Work
Georgian mahogany work table on turned pillar with quadruple
base
Late Georgian rosewood fitted work table with well, on central
support with platform base, 1 ft 7 in wide Victorian walnut games and work table with backgammon and
chess board, 1 ft 9 in wide Victorian mahogany octagonal games table, the top inset with
chess board, on pillar and quadruple base, 2 ft 2 in
Tables—Gale-leg
George II mahogany gate-leg dining table, the oval top with two leaves, on cabriole legs with pointed and pad feet, carved behind the knees with scrolls, 4 ft wide
Stuart oval gate-leg dining table with double flaps and baluster turned legs
Early eighteenth-century cottage oak gate-leg dining table on turned supports, 4 ft 3 in wide
Early eighteenth-century country-made oak gate-leg table with drawer, 7 ft long
Eighteenth-century oval gate-leg tabic on turned undcrframe, with two drawers, 4 ft wide
Small Stuart oak gate-leg tabic with demi-lunc flaps and barley-twist supports
Tables—Occasional
Late Regency mahogany occasional table, inlaid with ebony lines, fitted with two small drawers and double flaps, supported on a centre pillar ending in four curving legs with brass-capped feet, 2 ft 7 in
Satinwood occasional table with shaped circular top, on square legs with crossed stretcher, 1 ft 6 in diameter
Tabid—Pembroke
Regency rosewood Pembroke table, the rounded rectangular top crossbanded with satinwood and with lobed projections at the corners, the frieze with a drawer and a false drawer, on turned cbonized slightly curving
legs with gilded rings, 2 ft 7 in wide 367 10
Sheraton banded mahogany Pembroke table with fitted drawer,
on taper legs, 2 ft 6 in wide 210 0
George III mahogany Pembroke table with serpentine-shaped
leaves, fitted with a drawer, on square legs, 2 ft 8J in wide 78 15
Tables—Refectory
Elizabeth I oak refectory tabic with a rectangular triple plank top, the frieze carved with a continual band of fluting and raised on six urn-shaped baluster legs with scrolled brackets and joined by moulded stretchers, 2 ft
8 in wide, 10 ft long 950 0
Eighteenth-century oak refectory table, 5 ft 1 in 280 0
Tables—Side
Eighteenth-century banded walnut side table, fitted with three
short and one long drawer, on cabriole legs, 2 ft 6 in wide 110 0
Sheraton inlaid mahogany side table, having three drawers with
brass loop handles, 2 ft 5 in wide 64 0
Pair of George III mahogany side tables with plain semicircular tops, on moulded tapering square legs, 3 ft 6 in wide 44 0
George III mahogany semi-circular side table, raised on square
tapering legs with block feet, 4 ft 3 in wide 25 4
Tables—Sofa
Regency rosewood sofa table with canted angles to the double-flap top, fitted with two drawers in the frieze, on turned column support with four curved and tapering legs, brass toes and castors, inlaid with brass lines,
4 ft 11 in wide, open 210 0
Regency mahogany sofa talc with satinwood banding, on end supports terminating in brass claw castors and having two drawers, 3 ft 2 in wide 150 0
Late Georgian mahogany sofa table, the deep crossbanded rectangular top with two leaves, fitted with a drawer at each side, on trestle supports and splayed square legs, 2 ft 4 in wide 60 18
Late Georgian mahogany sofa table, the rectangular top with two flaps, bleached to a golden colour, with two frieze drawers, on trestle supports and splayed square legs, 3 ft 2 in wide 57 15
Tables—Sutherland
Victorian walnut oval-ended Sutherland table on turned
underframc, 3 ft 38 0
Victorian mahogany oval Sutherland table, 3 ft 8 in 26 0
Edwurdiun bunded muhugany Sutherland table, 2 ft 22 0
Tables—Tea
George II banded walnut tea table with two frieze drawers, on
carved cabriole legs, 2 ft 8 in wide 340 0
Small Georgian mahogany tea table with folding flap and
supported on pad feet, 2 ft 4 in wide Victorian mahogany tea table, supported on turned legs, 3 ft
wide
Tables—Wine
Sheraton banded walnut wine table, on barley-twist column
and with tripod base Victorian rosewood circular wine table on barley-twist column
and tripod base
Tables—Writing
George iii mahogany writing table, the rectangular top with recessed corners, a long drawer in the frieze, on trestle supports and square curved feet, 2 ft 10 in wide
Eighteenth-century oak writing table, having shaped apron and three drawers, on chamfered supports, 2 ft 10 in wide
Edwardian banded mahogany writing table with a drawer, on square tapering legs, 2 ft 6 in wide
Edwardian mahogany writing table with one pillar and four drawers, 3 ft wide
Tallboys and Lowboys
William and Mary banded walnut lowboy with five drawers, on
a stand with one long drawer, 3 ft 2 in wide Old English mahogany tallboy in two parts, having moulded
cornice and chamfered reeded corners with three short and
six graduated long drawers, 3 ft 5 in wide George III mahogany tallboy with three short and six long
drawers, and a brushing slide with canted fluted corners, 3 ft
7 in wide
Old English mahogany tallboy in two parts with two short and six graduated long drawers, on bracket feet, 3 ft 6 in wide
Eighteenth-century walnut tallboy with nine drawers to the top, enclosed by two banded doors, and five drawers below, 3 ft 5 in wide
Waiters
George II mahogany dumb waiter with three graduated circular
tiers on baluster turned supports, and raised on plain cabriole
legs, 3 ft 7 in high George III mahogany three-tier dumb waiter with a turned and
spirally fluted column, on a tripod support, width of largest
tier, 2 ft
George II mahogany dumb waiter with three graduated revolving circular tiers, on turned supports, raised on plain cabriole legs, 3 ft 7 in high
Wardrobes
George III hanging wardrobe with a pair of panelled doors, the lower part with two short false drawers and a long drawer, on bracket feet, 4 ft wide
Early nineteenth-century mahogany gentleman’s wardrobe, fitted with sliding trays, enclosed by panelled doors, two small and two long drawers to the base with ornamental gilt-metal handles 29 0
Mid-nineteenth-ccntury hanging wardrobe enclosed by panelled
doors, on bracket feet, 3 ft wide 10 0
Washstands
Regency mahogany washstand, having four drawers, ormolu
mounts and a white marble top, 4 ft 1 in wide 34 0
Georgian mahogany tray-top enclosed washstand, fitted with
rising top, revealing mirror with two drawers, 3 ft 6 in wide 26 0
Georgian mahogany bow-front three-tier corner washstand,
fitted with a drawer 22 0
Wine Coolers and Cellaret
George III mahogany octagonal cellaret, bound with brass, with slightly tapering sides, on stand with square legs, 1 ft 6 in wide 168 0
Early Victorian carved mahogany wine cooler on paw feet, 2 ft
6 in wide 50 0
Late Georgian mahogany oval wine cooler, bound with brass, on
splayed square legs, with zinc liner, 2 ft wide 31 10
Tags: Age, american empire mahogany chest, american rococo eagle loveseat, antic blue and white plate pomona stafforshire england, antiqu, antique concave savona earthenware, antique +dresser +curved, antique 1910 sheraton settee, antique 5 leg round walnut inlaid wood table, antique bed steps with chamber pot, antique bedside table, antique bisque figurines manufacturers, antique blue french desk, antique candlesticks 16th century french, antique cellaret, antique chair with mother of pearl inlay, antique checkoslovakian rocking chairs, antique cherry end table with drawer and inlay, antique chinese table dragon legs, antique cigar cutter nude, antique clawfoot mahogany dining room table, antique collectors drawers cabinets, antique convex chest, antique cupboard on astand, antique desk clocks from 1700, antique dining room 1930, antique dining room table italian, antique dresser rounded drawers and mirror, antique dressing table leather bow front, antique dressing table spiral leg mirror, antique drop leaf table spool leg, antique epergne of woman, antique figured veneer art deco cabinet curved glass di, antique french bread wood maker, antique french furniture makers 19th century, antique french handpainted vases, antique french shaving 3 panel mirror with oriental des, antique furniture barley twist chair table, antique furniture scroll design, antique furniture with mother of pearl inlay, antique furniture/inlaid/drop leaf side table, antique german linen press cast iron, antique german tambour clock with legs, antique harp leg table entryway, antique irish chest seat and storage, antique italian footed teapot, antique japanese marquetry table cabinet, antique jug says spain on the bottom with the number th, antique lyre back chair, antique music glazed cabinet/stool, antique pearl table, antique porcelain drop leaf table, antique priest cabinet, antique regency black japanned dining chair, antique regency style small table 2 tier drawer, antique scottish tall chest, antique settees and chairs, antique sewing table iron, antique small drum table, antique small marble topped bankers table, antique stickley small round 3 legged table, antique swedish tables, antique table lighters makers, antique table tortoise shell gold french, antique table with pull out extensions, antique tea roots table, antique three seat chair walnut scroll arms, antique trestle table two sides fold down, antique walnut chair styles, antique welsh chest of drawers 1920, antique white and cherry coffee tables, antique wooden frame tub chair, antiquewest porcelains, art deco cabinet sliding glass doors, art deco hamered lamp, art nouveau french porcelain and brass candlesticks, art.nouveau viener-metal, artdecocigarettelighters, artistic carved end tables, arved french dining table, austrian empire hallmark porcelain, avente gard leather chair 1930, backgammon, baize, ball feet, barley twist dining table 1930, belouch rug with ersari design, bentwood furniture stamped spain, berkey and gay jacobean dining table, birdseye maple drop leaf table, black figure pottery made in austria, black trestle desk legs, block, breakfast table, cabriole, cabriole legs, central, cornice, cottage, Dining, drawer, Edwardian, Eighteenth-century, English, frieze, ft diameter, George III, gold, LEATHER, leg action, leg support, mahogany pedestal, marble slab, oak, panelled doors, pembroke table, pillar, platform base, quadruple, satinwood, Sheraton, side, Small, Sofa, specimen shells, square legs, Tables, trestle, tripod base, victori, walnut, walnut top, wild roses, zebra woodSep
21
Auction Prices for Antique Sideboards, Settees, Coaches, Mirrors, Cupboards
September 21, 2009 | Leave a Comment
Canterbury*
George III mahogany Canterbury on lapering legs with a
drawer in the frieze, 1 ft 6 in wide 145 0
Late Georgian mahogany Canterbury with slatted divisions and turned uprights, a drawer in the base, on turned legs, 1 ft 7 in wide 126 0
Edwardian mahogany Canterbury with solid rising top, for use
as a piano-stool, above reeded uprights 27 0
Chests of Drawers and Commodes
Early eighteenth-century oyster walnut chest of drawers with two short and two long drawers, the top, front and sides veneered with cross-cut oyster segments in fruitwood borders, on later bracket feet, 3 ft 2 in wide
357 0
Pair of early nineteenth-century mahogany serpentine-fronted commodes, each fitted with four graduated long drawers, on bracket feet, 3 ft 8 in wide 290 0
George III mahogany chest of drawers, fitted with a brushing slide and four graduated long drawers, on bracket feet, 2 ft 7 in wide 136 10
Queen Anne banded walnut chest in two parts with four short and three long drawers, having reeded canted corners, and bracket feet, 3 ft 2 in wide 90 0
Victorian walnut Wellington chest of thirteen drawers, 1 ft
11 in wide 85 0
George I walnut chest of drawers, crossbanded and inlaid with herringbone bands, the top with a lobed rectangular figured panel, fitted with two short and three long drawers, 3 ft 2 in wide 63 0
Eighteenth-century fruitwood chest of three short and three graduated long drawers, with canted corners and raised on bracket feet, 2 ft 6 in wide 50 0
Georgian mahogany bow-front chest of three graduated long
drawers, 3 ft wide 36 0
Cupboards Bedside and Corner
Early George Il-style standing corner wig cupboard, the walnut veneer of rich patitation, with double panelled doors enclosing three shaped shelves and flanked by fluted pilasters, supported on a shaped apron with
bracket feet 85 0
George III mahogany bedside cupboard with tiay top and fitted
with two doors, on square chamfered legs, 1 ft 7 in wide Edwardian inlaid mahogany bow-front hanging corner cupboard
enclosed by glazed barred door Early eighteenth-century oak corner cupboard enclosed by panel
door, on stand with taper legs and pad feet (stand of a later
date)
Eighteenth-century red lacquered hanging corner cupboard Georgian mahogany standing corner cupboard enclosed by panelled doors
Trafalgar oak corner cupboard with serpentine shelves and
single arraded panel door Eighteenth-century oak hanging corner cupboard with shaped
shelving enclosed by panelled door
Coffers and Chests
George I leather-covered portable coffer, the leather of attractive sealing-wax red colour secured by brass-headed nails in an all-over design of scrollwork, with pierced brass corner mounts, escutcheon and royal
crown, now on a frame with seventeenth-century Italian silvered wood dog masks carved in full relief, 3 ft 3 in wide
Early eighteenth-century oak dower chest raised on end supports, 2 ft 9 in wide
Early nineteenth-century oak mule chest with two small drawers to the base, and supported on bracket feet, 3 ft 10 in wide
Davenports and Desks
Queen Anne walnut kneehole desk with rounded rectangular top, a frieze drawer and six short drawers around a kneehole cupboard, inlaid with herringbone lines, on bracket feet, 2 ft 7 in wide
Early eighteenth century yew-wood kneehole writing desk, the rectangular top lined with gilt-tooled brown leather, fitted with a long drawer and six smaller drawers surrounding recessed kneehole cupboard, a shallow
drawer in the arch, on bracket feet, 2 ft 11 in wide
Early nineteenth-century kneehole desk, fitted with nine drawers, slide and recess cupboard, 3 ft 7 in wide
Regency mahogany Davenport with raised curving gallery and rising and sliding top, the base fitted with a brushing slide, four drawers and four dummy drawers, 1 ft 4 in wide
Victorian serpentine-front mahogany Davenport with writing fall, stationery compartment and secret drawers
William IV rosewood Davenport, the sloping front supported on columns, 1 ft 9 in wide
Dressers
Eighteenth-century oak dresser of fine colour with open shelving, three short drawers with shaped apron and pot shelf under, 4 ft 10 in wide
Early eighteenth-century break-front Yorkshire dresser with open shelving, five drawers and cupboards, 6 ft 3 in wide
Large nincteenth-ccnlury oak Welsh dresser with richly carved
panels and Delft raek to the top, 6 ft 10 in wide 45 0
Sevcntccnth-i entury style oak dresser with two cupboards and
three drawers over a single shelf 31 0
Globes
Pair of terrestrial and celestial globes by W & S Jones, Holborn, the terrestrial globe showing ‘The Discoveries of Captain Cook’, corrected to 1802, the celestial globe adjusted to 1800, both with brass longitudinal rings,
on turned supports and cabriole legs with compasses inset into platforms, 2 ft 2 in high, the globes 1 ft circumference 504 0
Terrestrial table globe by Donaldson, 1836, Niddry Street,
Edinburgh, on a turned ebonized stand, 1 ft 4 in diameter 70 0
Knife Boxes
Sheraton serpentine-front knife box converted to a stationery
cabinet 22 0
Georgian mahogany knife box banded in tulipwood 14 C
Georgian mahogany knife box with three divisions and brass
handle, 1 ft 5 in wide 9 10
Mirrors—Mantel
George III design giltwood and plaster oval mirror with fluted and gadrooned frame, the resting with a lion’s mask and scrolling foliage surmounted by an eagle suspending swags to the sides, 3 ft 1 in wide, 6 ft 10 in
high 73 10
Regency maple overmantel with moulded borders and rectangular plate, above a coloured print of mcn-o’-war, 3 ft by 1 ft 11 in 26 5
Regency rosewood overmantel mirror, the frame inlaid with
brass and with figures of deer in each corner, 2 ft 9 in wide 24 0
Mirrors—Toilet or Dressing
Queen Anne red-lacquered dressing-table mirror, the base with
a fall-front and one drawer below, 1 ft 6 in wide 260 0
Queen Anne walnut toilet mirror with arched bevelled plate and shaped cresting, the stepping base with five drawers and a concave cupboard, 1 ft 2} in wide 73 10
William and Mary-style inlaid walnut dressing-table mirror, the
base with seven drawers andl a small cupboard, 1 ft 4 in wide 28 0
Old English mahogany box-frame toilet mirror, having bow-front and three drawers, 1 ft 10} in wide 11 0
Victorian mahogany dressing-table mirror, with three drawers,
2 ft 9 in wide 4 0
Mirrors—Wall
William and Mary silvered-wood and black-painted pier glass with a divided rectangular bevelled plate, the convex frame with continuous sprays of leaves and an outer bead and reed border, the arched pierced cresting
with strapwork framed by sprays of leaves and flowers, 2 ft wide, 5 ft 11 in high 520 0
some auction room prices : 1969-70
Early Georgian mahogany and gilt landscape mirror with three rectangular bevelled plates in moulded frame with gilt border carved with wave ornament, 4 ft 6 in wide, 1 ft 4 in high
Nineteenth-century wall mirror in carved mahogany and gilt frame, surmounted by an eagle, 2 ft 11 in by 1 ft 8 in
Regency convex mirror in giltwood frame surmounted by an eagle, 1 ft 9 in diameter
Eighteenth-century carved mahogany frame wall mirror, bordered and decorated in gilt
Settees, Couches and Chaise Longues
George III japanned settee, the quadruple chair-back pierced with a curving trellis, the arms on baluster supports, the bowed caned seat on turned legs, decorated on a black ground with gilt flowers and leaves, 5 ft 7 in
wide
Early Victorian carved giltwood open-arm settee, upholstered in tapestry
Victorian mahogany button-back settee, with a serpentine front,
upholstered in green velvet Hepplewhite mahogany settee with shaped back and scrolled
arms, upholstered in Regency striped fabric and fitted loose
cover
Regency curved mahogany-frame settee with scrolled ends, seat cushion and bolster cushions upholstered in striped green velvet, 6 ft 8 in wide Edwardian mahogany-frame settee upholstered in corded velvet Victorian
walnut-frame serpentine-front couch upholstered in tapestry
Sideboards
Georgian mahogany bow-front sideboard, having three drawers and a tambour-fronted recess, on taper legs, 5 ft wide
Sheraton mahogany bow-front sideboard, crossbanded and tulipwood stringing, with three drawers and cellarete drawer, on six taper legs with spade feet, 4 ft 6 in wide
Small mahogany sideboard, with a plate drawer at the centre above a recessed cupboard flanked by two doors simulating drawers and cupboards, 3 ft 11 in wide
Regency mahogany sideboard, the narrow rectangular top with rounded break-front centre, fitted with a central drawer, a deep drawer on the left and a cupboard on the right, both with double false fronts, on turned
legs, 5 ft 3 in wide
Georgian mahogany bow-front sideboard, inlaid with satinwood and ebony lines, brass rail to the back and small centre drawer flanked by a deep drawer and cupboard, supported on slender tapering legs ending in
spade feet, 4 ft 5 in wide
Late George III mahogany sideboard with a rectangular top, with a long drawer in the frieze flanked by a cupboard and at one side a deep cellarete drawer with an unusual swivelling semi-circular decanter stand, 7 ft
wide
Edwardian inlaid mahogany shaped-front sideboard, with centre drawer and wing cupboards, on taper supports, 4 ft wide
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21
Auction Prices for Antique Cabinets, Chairs and Bookcases
September 21, 2009 | Leave a Comment
FURNITURE
Bookcases and Bureau-Bookcases
George III mahogany break-front bookcase, the upper part with a Greek key cornice and broken arch pediment closed by four glazed doors, and three cupboards below enclosed by panelled doors, 8 ft 4 in wide, 9 ft
high 950 0
George III mahogany break-front bookcase, the upper part in three sections, with four glazed doors with interlaced lozenge bars, enclosing adjustable shelves; the richly figured and crossbanded lower part with a pair
of cupboard doors at the Centre and eight graduated drawers at the sides, 8ft 2 in wide, 9 ft 3 in high 620 0
George III mahogany secretaire-bookcase, the moulded cornice carved with a Greek key band, fitted with a pair of 13-panel glazed doors, the lower part with secretaire drawer, the interior being crossbanded with
sycamore. Three long drawers below and on bracket feet, 3 ft 9 in wide 252 0
Late eighteenth- or early nineteenth-century mahogany secretaire-bookcase, the glazed panelled doors with arched astragals, the centre with deep drawer forming a secretaire and with cupboard below with beaded
border panels. Stamped ‘Thomas Mosh, 102 Wardour Street’, 3 ft 8in wide, 7 ft 1 in high 189 0
Nineteenth-century oak bureau-bookcase, inlaid with motifs and birds in coloured woods, the double panel to the doors enclosing a single shelf, the fall-flap opening to reveal drawers and recesses, with two small and
three long drawers below, supported on bracket feet, 6 ft 1 in high 145 0
Georgian mahogany bureau-bookcase, the fall flap opening to reveal numerous drawers and recesses over four long graduated drawers with brass handles, supported on ogee bracket feet, 3 ft 5 in wide 90 0
Georgian mahogany hanging bookcase with a tambour sliding
front and one drawer below, 2 ft 2 in wide 28 0
Bureaux and Writing Cabinets
Queen Anne walnut bureau, crossbanded and inlaid with
herringbone bands, the sloping lid enclosing drawers, pigeonholes and a well covered by a slide, with two short and two long drawers below, on bracket feet, 3 ft wide
Queen Anne walnut secretaire with moulded cornice and a convex-fronted drawer above, the fall-front of burr figure, crossbanded and inlaid with herringbone bands, enclosing various drawers, a cupboard, removable
pigeon-holes with secret drawers behind, the lower part with two short and two long drawers, on bracket feet, 3 ft 7 in wide
George I walnut bureau-cabinet, the upper part with moulded cornice and glazed doors, each with six rectangular panes, the lower part with crossbanded sloping lid enclosing a fitted interior and four graduated long
drawers, on bracket feet, 3 ft 3 in wide
William and Mary walnut secretaire cabinet, the upper part with a cushion drawer and a fall-front with a shaped panel in burrwood, the lower part with two short and two long drawers, in straight grained wood, 3 ft 6
Early eighteenth-century banded walnut fall-front bureau with interior fittings and three graduated long drawers, 2 ft 10 in
wide
Regency mahogany cylinder bureau, with rounded tambour shutter enclosing a slide with a rising easel, two drawers in the frieze, on square tapering legs, 2 ft Hi in wide
Early Georgian oak and walnut bureau in two parts, the crossbanded sloping lid enclosing a fitted interior, with two short and three long drawers below, divided in the centre, the sides panelled, 3 ft 3 in wide
Regency satinwood secretaire-book cabinet with a rectangular top, shallow drawer in the frieze fitted with an adjustable leather-lined panel, with a shelf and pilasters overlaid with ebony guilloche, with ebonized paw
feet, 3 ft 8 in wide
Edwardian inlaid mahogany roll-front bureau with numerous drawers and writing fall, on taper legs, 2 ft 5 in wide
Early eighteenth-century oak fall-front bureau having interior fittings, well, and three graduated long drawers, on bracket feet, 3 ft 1 in wide
Cabinets
George III satinwood specimen cabinet with a cupboard above three bow-fronted drawers, all crossbanded with partridge-wood, the cupboard with oval panelled door enclosing two drawers and pigeon-holes, the
drawers all with divided interiors, with gilt brass handles and moulded legs on claw feet, 1 ft 2 in wide
Two William IV mahogany cabinets, each with brass trellis-panelled doors to the upper part, a long drawer in the centre and a cupboard enclosed by panelled doors below, on turned feet, surmounted by moulded scroll
pediments, 3 ft 3 in wide, 8 ft high
Eighteenth-century walnut cabinet with moulded cornice and
mirrored door enclosing shelving, on stand with fitted drawer and with turned legs and flat-shaped stretchers, 2 ft wide, 5 ft 2 in high 120 0
Early eighteenth-century elm and oak cabinet on stand, fitted with eleven drawers surrounding a central cupboard, crossbanded with walnut, the stand with spirally turned legs and stretchers, on turned feet, 3 ft 4 in
wide 84 0
Edwardian mahogany china cabinet, inlaid with boxwood and ebony lines, the centre bow-shaped glass door enclosing two shelves, and supported on short cabriole legs, 4 ft wide 22 0
Victorian mahogany music cabinet with railed gallery and glass-panelled door enclosing three shelves, 2 ft 9 in wide 11 10
Chairs—Dining Sets
Set of six early Charles II oak dining chairs, the spiral twist and square uprights with top-shaped finials and the splats formed of unusually slender spiral twist balusters, with solid seats and turned and square legs 1,800
Set of eight George III mahogany dining chairs, including a pair of armchairs, the rectangular backs with reeded uprights capped by leaves, each filled with five similar upright splats, the armchairs with reeded curved
arms, the upholstered scats covered with rust velvet, on square tapering legs with block toes 1,260 0
Set of eight George III mahogany dining chairs, including two armchairs, with moulded arched backs and pierced balloon-shaped splats carved with rosettes, the drop-in seats on square moulded legs 945 0
Set of six George III mahogany dining chairs with moulded shield-shaped backs, the splats pierced with interlaced curving bars and carved in relief with husks and wheat-cars, the serpentine upholstered seats on
tapering fluted square legs with block feet 630 0
Set of five Regency painted chairs, the broad curved top rails painted in colours with countrywomen and children spinning, weaving and talking in landscapes, on curved uprights with figure-of-eight horizontal bars, the
caned seats on turned legs, the frames channelled with broad gilt lines and grained to simulate rosewood 577 10
Set of eight George III mahogany dining chairs, including two armchairs, with moulded shield-shaped backs and channelled upright splats headed by stiff leaves, the slightly bowed and concave scats covered with green
and brown gros-point needlework, on moulded square legs with block feet headed by paterae (one armchair adapted from a single chair) 367 10
Set of nine Regency simulated rosewood chairs with scrolled uprights, caned seats and sabre legs, the curved backs inlaid with brass patterns 178 10
Set of six Regency mahogany rope-back dining chairs with
sabre legs and drop-in seats (two having arms) ll>ll ii
Set of six Georgian mahogany rope-back dining chairs, the stuff-
over seats upholstered in green hide 155 0
Set of four Hepplewhite mahogany dining chairs with pierced
vase splats and drop-in seats Set of six Victorian rosewood dining chairs on cabriole legs, the
scats and backs upholstered in figured damask Set of four Regency mahogany reeded frame dining chairs with
sabre legs
Set of six Edwardian inlaid walnut dining chairs with stuff-over scats
Set of six Victorian mahogany-framed dining chairs with upholstered seats and backs
Set of six Edwardian mahogany shaped-back dining chairs on cabriole legs, the stuff-over seats upholstered in uncut moquettc
Set of six Victorian mahogany dining chairs with upholstered
Chairs—Dining Single
George HI mahogany ladder-back dining chair with moulded uprights, the pierced bars centred with leaf sprays, the white damask upholstered seat on square legs and stretchers
George II mahogany dining chair with arched back and pierced splat carved with G-scrolls and wave ornament, the cut velvet seat on square legs
Nineteenth-century carved mahogany shield-back dining chair in the Hepplewhite manner, inset Wedgwood plaque
Pair of Victorian mahogany single chairs with floral seats and turned legs.
Chairs—Easy
George III mahogany library armchair, the stuffed back with a serpentine toprail, the padded incurved arms raised on down-curved supports headed by flowerheads and trailing leaves, the stuffed seat raised on
chamfered legs, upholstered in pink and blue gros point with a scale pattern
Victorian mahogany-frame button-back easy chair upholstered in blue velvet
Victorian walnut-frame spoon-back nursing chair on cabriole
legs, upholstered in Regency stripe fabric Victorian giltwood easy chair upholstered in damask
Chairs—Open Arm
George II mahogany open armchair with moulded uprights and waved top carved with leaves, the pierced interlace similarly carved, with scrolled arms and drop-in needlework seat worked with mythical animals, the
seat rail with nulled border, on cabriole legs with acanthus on the knees and claw-and-hall feet
Early George III mahogany open armchair, the padded arms with scrolled handles, on curved supports, on cabriole legs with carved acanthus foliage, ending in scrolled toes, with arched back and serpentine seat
covered with original petit-point needlework, the back with flora in a landscape, the scat
wilh a dog attacking a boar, in broad surrounds worked with
flowers and grapes on a tobacco-brown ground 504 0
George III mahogany open armchair with waved back and interlaced splat, the drop-in seat on cabriole legs, carved with leaves, with claw-and-ball feet 136 10
George III pine and bcechwood open armchair with moulded shield-shaped back and scrolled arms supports, carved with leaves, the bowed scat on tapering fluted legs headed by paterae 99 15
Victorian mahogany-frame open-armchair with buttoned back
upholstered in pink velvet 18 0
Sep
21
Auction Prices for Antique and Collectible Paperweights
September 21, 2009 | Leave a Comment
Paperweights—Baccarat
A primrose weight of large size, the flower with five rich blue ogee petals outlined in white, around starhead stamens, supported on a long stalk and surrounded by numerous veined emerald-green leaves, clear glass,
star cut base, 3J in diameter 440 0
A dated close millefiori weight, the closely packed canes including silhouettes of animals and birds, bearing the date 1849, 2| in diameter 260 0
SOME AUCTION ROOM PRICES : 1968-69
A mushroom weight, the upright tuft of usual type enclosed by an opaque-white muslin ring encircled by a royal-blue spiral, 2} in diameter
A close millefiori weight, the large canes unusually set with strands of latticinio, 2f in diameter
Paperweights—Clichy
A signed scrambled weight, the variety of large brightly-coloured canes jumbled together and including part of the name of the factory cl . . cy in turquoise, 2} in diameter
A faceted weight, with a circle of pink florcttcs and green moss canes enclosing a central blue and white cluster, the sides cut with three rows of honeycomb facets, 2f in diameter
A scattered millefiori weight, the clear glass with an outer ring of canes, encircling an inner cluster of coloured florettes, including pink, white, pink-and-green and green-and-white roses, 3 in diameter
A large scrambled weight, with a dome-shaped arrangement of brightly coloured canes of various types, 3| in diameter
Paperweights—St Louis
A concentric millefiori weight, composed of six circles of variously coloured canes, predominantly in tones of red, pink, green, blue and white, packed closely together and centring on a central starhead cluster, 3 in
diameter
A fruit weight of the usual type, the swirling white latticinio basket set with three pears, two orange and one green, three small red cherries and numerous serrated green leaves, 2J in diameter
A scrambled weight, with mainly opaque-white muslin strands and coloured rods, 2j in diameter
Paperweights—Stourbridge
A pair of weights, each with a large central turquoise-and-white cane surrounded by large pastry-mould canes in turquoise, white, blue and red, set in almost concentric form, 3} in diameter
A weight, composed of five concentric rows of canes in pale tones, with a brighter row in red, 3$ in diameter
Silver Snuff Boxes
A William IV rectangular box, engine turned, the lid also applied with a well chased border of matted vine leaves and bunches of grapes, interior gilt and inscribed To Captain Canney from the Passengers of the
‘Orontes” on the homeward Voyage from Calcutta to England, 1833-4. By Reilly and Storer, 1833, 3J in wide, 6 oz 3 dwt
A George III oblong box, the cover engraved with a basket-weave design enclosing a vacant oval reserve, the sides chased, gilt interior by Charles Hougham, 1813, 4 oz 13 dwt
A George II shaped oval box, the hinged lid chased with an exotic bird and flowers, the base later initialled, interior gilt, by G.D., 1750, 2J in wide
William IV rectangular box, (he hinged lid initialled and applied with a foliate snap, engine turned, by W.S., Birmingham, 1835, 2J in wide 45 0
A George II shaped oval box, the lid inset with avcnturinc glass within a chased border of scrolls and flowers, interior gilt, by I.M. below a mullet, circa 1755 42 0
A Victorian shaped rectangular box, inscribed and engraved all
over with scrolling leafage, Birmingham, 1851, 3 in wide 28 0
A George III oval box with dotted decoration and crested initial
cover, by Phipps and Robinson, 1809, 3j in wide, 2 oz 13 dwt 28 0
A George IV curved oblong box engraved with flowers, swirling leafage and initials, by T. and W.S., Birmingham, 1824, 2} in wide 16 0
Slevengraphs (All in mint condition) Leda
The Last Lap (small wheel cycles only)
Spanish Bullfight
Mersey Tunnel Railway
Buffalo Bill and Chiefs
Dr W. G. Grace
The Home Stretch
Robert Burns
Declaration of Independence
The First Set
Columbus, pair
Phoebus and Aurora
Clifton Suspension Bridge
The Forth Bridge
The First Train
The Old Tyne Bridge
Queen Victoria and Premiers
The First Touch
Tea Caddies
George II mahogany domed caddy, 10 in wide 25 0 Early nineteenth-century amboyna caddy with brass mounts and
glass bowl, 14 in wide 16 0
Mahogany caddy of sarcophagus shape, 14 in wide 10 0
Georgian inlaid mahogany caddy, 9} in wide 9 0 Late eighteenth-century tortoiscshell mounted caddy, 7 in wide
(slight damage) 8 0
Georgian mahogany caddy 5 0
Vinaigrettes
A George IV silver-gilt oblong vinaigrette with engine-turned decoration, initialled lid, applied floral borders, by Nathaniel Mills, Birmingham, 1833 43 0
A George III rectangular vinaigrette with canted corners, engraved with leaf motifs, gilt interior, by Joseph Willmore, Birmingham, 1812 24 0
A George IV oblong vinaigrette witli engine-turned base and
cover, reeded sides, by Joseph Willmore, 1829, 1} in wide 22 0
A rectangular vinaigrette with canted corners, by Joseph Will-more, Birmingham, 1811, 1J in wide
Wine Labels
A set of four unusual George III labels of matted quatrefoil form, each surmounted by a polished bead and pierced on the central shaped rectangular panels for Claret, Port, Madeira and Sherry by Benjamin Smith, 1807
An unusual pair of George IV labels, each in the form of a feather-edged scroll decorated with floral sprays, one engraved for Port, the other for Sherry, and surmounted by an eagle with spreading wings by Emes and
Barnard, 1824
A George III silver gilt label in the form of a well-modelled scallop shell, engraved Sherry, by Benjamin Smith, 1807
A set of four Staffordshire enamel labels, the borders painted with grape vines against a white ground, 2} in wide
Four George III labels for Port, Claret, Sherry and Madiera, pierced and chased, by Robert Garrard, 1814, (each with wire bottle ring)
This year’s list contains rather more items in the lower price ranges. It will be noted Uiat prices in general have dropped over the year, with the exception of those for fine and rare pieces. However, prices realized in
sales in 1970 would indicate that the market has now stabilized again.
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21
Auction Prices for Antique Glass
September 21, 2009 | Leave a Comment
CLEAR GLASS
Ale Glasses
A wrythen ale, the flared bowl vertically ribbed on the lower half above a pincered knop and short stem, terminating in a folded conical foot, 6} in high
Tall ale, the slightly flared bowl spirally wrythen to within two thirds of the rim and with flammiform fringing, on a slender dumb bell knop stem terminating in a high conical folded foot. 6} in high
A wrythen ale, two-thirds of the tall bowl spirally ribbed and with flammiform fringing, on a short knopped stem, terminating in a folded conical foot. 5| in high
A wrythen ale, the tall round-funnel bowl spirally moulded on the lower half, on a short stem, terminating in a folded conical foot, 5} in high
Bowls
Irish oval cut-glass bowl of canoe shape with serrated rim, band
of star cutting on sides, on square lemon squeezer foot, 13} in
wide 115 0
A large circular cut-glass bowl, with slightly incurving rim, the
border with formal foliage, 15 in diameter 15 10
A cut-glass bowl, the exterior cut with star pattern, with fan cutting to the rim, on porcelain stand with four winged gilt beasts on shaped base with gilt scroll feet, 10} in wide 10 10
Candlesticks, Candelabrum and Tapersticks
A pair of tapersticks, the octagonal nozzles with flared rims, on octagonal Silesian stems with lozenges to the shoulders, the domed feet with similar lozenges, 7 in high 40 0
Hollow-blown candlestick with everted nozzle and two angular knops between a large central ball knop, terminating in a high domed foot, 8 in high 28 0
Ormolu mounted cut-glass two-light candelabrum, the stepped octagonal baluster stem supporting foliage branches, from the cut-glass wax-pans hang pear-shaped and pointed lustres, 13 in high 26 0
Pair of cut-glass candlesticks, with oviform stems and shaped
crenellated nozzles on domed square feet, 11} in high 14 10
Cordial Glasses
A Jacobite cordial, the small drawn trumpet bowl engraved with a six-petal rose and two buds, a star and an oak leaf, the multi-spiral air-twist stem terminating in a conical foot, 6 in high (chipped on the rim) 110 0
An unusual cordial, the small bell bowl on a collar above a swelling knop stem containing an elongated tear, terminating in a conical foot, 6 in high 75 0
A tall cordial with small drawn trumpet bowl, the slightly tapering stem containing a double mercurial corkscrew, terminating in a conical foot, 6} in high 42 0
Decanters
A Waterloo decanter and stopper of club form with fluted lower part, engraved with a band of foliage, the neck with three triple collars and target stopper, 10 in high. Impressed mark 54 10
A magnum decanter and stopper, of mallet shape, with faceted
pointed stopper, 14} in high 42 0
Large cut-glass ship’s decanter and stopper, of bell shape, the lower part ribbed and the sides with stepped cutting, with pointed faceted stopper, 15 in high 29 10
Pair of Victorian ship’s decanters and stoppers of rounded conical form engraved with a crest and monogram, with faceted stoppers, 11 in high 16 10
Three cut-glass decanters and stoppers, of barrel shape, with bands of nail’s head rutting and vertical facets above and below, with mushroom stoppers, 7} in high 16 0
Goblets
An unusual goblet with large bucket bowl, the stem composed of
a mushroom knop above a short baluster stem, terminating in a domed and folded foot, 7} in high A rare baluster goblet, the funnel bowl with beaded lower part, the stem with a hollow true baluster and an inverted
baluster divided by an annular knop on domed and folded foot, 84 in high
Goblet with a flared bucket bowl on an inverted baluster stem containing a tear above a base knop and folded conical foot, 7 in high
An engraved goblet, the lipped ovoid bowl with loop handle and diamond engraved John Harris/Fox and Goose, Greets Green, supported on a hollow knop containing an 1836 threepenny piece, above a circular foot, 64
in high
Large goblet with unusual double ogee bowl on a massive inverted baluster stem, terminating in a wooden foot, 14} in high
A cut-glass jug of helmet shape, cut with bands of lozenge ornament between vertical faceting on spreading stem and sunray base, 11 in high
Pair of jugs of pear shape, the body with nail’s head cutting, the rim serrated, 5} in high
A Georgian cut-glass jug of helmet shape, the sides with swags and hobnail patterns, the lower part, stem and neck faceted, on lobed sunray foot, 9} in high
Rummers and Firing Glass
A colour-twist firing glass with trumpet bowl above a short
stem with central opaque twists of white, blue and green,
terminating in a heavy foot, 44 in high An engraved rummer, the tall bucket bowl inscribed Lord
Nelson, Oct. R. 21, 1805, the reverse with Victory at sail,
Coronation rummer, the bucket bowl engraved with a portrait of the King’s Champion, glove in hand, the reverse with the Royal Crown flanked by GIVR, July 19, 1821, 5 in high
Pair of large rummers, the rounded bowls cut with ribbons and chrysanthemum medallions, on plain stems and feet, 7} in high
Sweetmeat Glasses
Sweatmeat glass, the cup-shaped bowl with everted rim and heavy gadrooning on the underside, on a stout spirally ribbed stem, terminating in a folded conical foot, 4 in high
Small sweetmeat, the ogee bowl with everted rim, on a collar above an inverted baluster stem terminating in a base knop and domed and folded foot, 5 in high
Small sweetmeat, the wide cup-shaped bowl with folded everted rim, on an inverted baluster stem and base knop, terminating in a folded conical foot, 4J in high
Wine Glasses—Air Twist
An unusual wine glass, the small bucket bowl on a slender air-
twist stem with five knops of varying sizes, terminating in a
A Jacobite wine glass, the round funnel bowl engraved with a six-petal rose and single bud, on an air-twist stem, terminating in a conical foot, 5] in high 95 0
An air-twist wine glass, with double ogee bowl, above a double
Newcastle wine glass, the round funnel bowl engraved with a band of fruiting vine, on a typical multi-knopped light baluster stem, terminating in a domed foot, 7} in high 85 0
Wine Glasses—Baluster
A baluster wine glass, small, the thistle bowl on a cone baluster
above a base knop and domed and folded foot, 5} in high 95 0
A diamond-etched wine glass, the bell bowl engraved with the Arms of the Hague, above a light baluster stem, terminating in a conical foot, 7J in high 55 0
A small wine glass, the round funnel bowl solid at the base and resting on an angular knop, above a baluster stem, containing an elongated tear, terminating in a domed and folded foot, 5| in high 45 0
An engraved wine glass, the round funnel bowl decorated around the rim with a border of scrolls and flower-heads, on a light baluster stem terminating in a domed and folded foot, 6} in high 35 0
A wine glass with a bell bowl set on an annulated knop above a
slender baluster stem and folded conical foot, 6J in high 4 0
Wine Glasses—Colour and Opaque Twist
Set of six mid-eightccnth-ccntury glasses, the bowls engraved with sun flowers, foliage and butterflies, supported on opaque twist stems and slightly domed feet, 5i in high 260 0
A small colour-twist wine glass, with round funnel bowl on a stem composed of thick opaque white corkscrew outlined in green, within an opaque white spiral, terminating in a conical foot, 5 in high 170 0
A colour-twist wine glass, the ogee bowl supported on a stem containing a thick opaque white corkscrew entwined by blue and white spirals, terminating in a conical foot, 6 in high 140 0
A wine glass with heavy ogee bowl, on a corkscrew and spiral white opaque twist stem, terminating in a conical foot, 5 J in high 100 0
An unusual wine glass, the round funnel bowl heavily cut with honeycomb facets, on a tall opaque twist stem and terminating in an octagonal conical foot, 6} in high 40 0
Wine Glasses—Knop, Faceted and Plain Stems
A pair of wine glasses, engraved with butterflies and vines, on
plain hollow stems and folded feet, 6} in high 82 0
A slender wine glass with bell bowl on a collar above a knopped
stem, terminating in a folded conical foot, 6j in high 35 0
An engraved wine glass of drawn trumpet shape, engraved with
a martial trophy, on plain stem and folded foot, 7 in high 33 10
some auction room prices ! 19b8-o9
Wine Glass Coolers
Six cut-glass single-lipped coolers, of bucket shape with vertically faceted lower parts and star cut bases, 4 in high
COLOURED GLASS
Blue
A pair of blue glass decanters and stoppers, of club form with two collars to the necks, rum and brandy in gilt, the flattened drop stoppers with initials, 9} in high
A blue glass spirit barrel, on four scroll feet, with trailed decoration to either end and pewter mount to the neck, 7 in wide
Bohemian Glass
Three Bohemian enamelled green glass overlay vases of slender baluster form, the raised white bands with flowers on gilt grounds, 124 in high and 10J in high
Bohemian enamelled overlay scent bottle and stoppper, pear shape with everted neck, ruby ground with white overlay cut with facets and painted with birds on branches, 114 in high
Cameo Glass (Webb)
An amber ground vase of pear shape with slightly flared neck, the amber yellow ground overlaid and carved in white with trailing blossom and with a collar of chrysanthemum medallions, 11J in high
A turquoise ground double scent bottle, of cylindrical form, overlaid in white and carved with campanulas and other flowers, hinged silver cover to one end, screw cover to the other, 54 in long (Silver 1884)
A small scent bottle and stopper with silver screw top, the pink glass globular body with shells among seaweed in white relief, 24 in high
Daum
A beaker-shaped vase, on spreading foot, exterior overlaid in grey and tortoiscshcll and cut through with trees in Autumn and falling leaves, interior with mottled and lilac ground, 64 in high (Signed Daum, Nancy)
A pair of Art Nouveau bowls, marbled in shades of purple and red and with pale flecked interiors, lj in diameter
Galle
A globular overlay vase, the amber yellow ground overlaid and
carved in purple and blue with fuchsia, 5} in high An oviform vase, the greenish ground overlaid in purple with
sprays of flowers, 5 J in high An Art Nouveau vase, with tall cylindrical neck and short
rounded base, the purple overlay carved with trailing sweet
peas,
SMALL DECORATIVE ANTIQUES
Enamels
Pair of Battersca blue and gilt candlesticks with panels of
flowers, 9 in high 60 0
A Birmingham snuff box, the square lid, sides and base with
summer flowers on a white ground, lj in wide 55 0
Pair of Battersea tapersticks painted with flowers, 6} in high 48 0
A cylindrical Staffordshire needlccase, the lid and base with landscapes and the remainder with trellis-work on a turquoise ground, 4 in long 40 0
Battersca patch box with landscape panels, 2 in wide 25 0
Aliniatures
An enamel miniature of General Thomson, by Henry Bone, signed and dated 1806, almost half-length, three-quarters sinister, gaze directed at spectator, wearing blue uniform with gold epaulettes, oval, 3 in high 250 0
A miniature of a young girl on porcelain, almost full-length, standing wearing a pink dress and holding a black and white spaniel in her arms, against a landscape background, rectangular, 4J in high 95 0
A miniature of a lady, in oil on copper, three-quarters dexter, gaze directed at spectator, wearing a wide white lace collar, jewels and a rope of pearls around her neck, pearls in her ears and falls of coloured feathers
in her brown hair, oval, 3} in high 50 0
A miniature of a child, three-quarters sinister, gaze directed at spectator, wearing a black dress tied with a blue sash, oval, 2§ in high 45 0
A miniature of a gentleman, by J. Bowring, signed with monogram, three-quarters sinister, gaze directed at spectator, wearing a dark brown coat and white vest and cravat, cloud and sky background, oval, 23 in high
A miniature of a gentleman, three-quarters sinister, gaze directed at spectator, wearing a long curled wig, blue coat and white cravat, oval, 2J in high 36 0
A miniature of a gentleman, by Patrick McMorland, signed, three-quarters sinister, gaze directed at spectator, wearing a heavy powdered wig and brown coat and vest, oval, 1J in high 20 0
A miniature of Mrs Hebdin, well-painted, three-quarters dexter, gaze directed at spectator, wearing a white dress and red shawl, her fair hair dressed in curls, rectangular, 3| in high 15 0
Sep
21
Auction Prices for Antique Pottery and Glass
September 21, 2009 | Leave a Comment
POTTERY
Creamware
A mug with loop handle, transfer-printed in black with ‘The Farmer’s arms in God is our trust’, 5i in hig
A tureen and cover, naturally modelled and coloured as a bunch of grapes, the fixed stand formed as a leaf, 8 in wide
Delftware
A Lambeth blue-dash portrait charger, painted in tones of blue, green, yellow and manganese with a full-length portrait of William III, the crowned king shown standing in an ermine-lined cloak, carrying the orb and
sceptre, flanked on either side by trees and with the initials ‘WR’ above, the everted rim with dashes in blue, 13J in diameter 250 0
A Lambeth plate, with flat base and everted rim, painted in tones of blue, ochre and brown with stylised half-length portraits of William and Mary, both crowned and with the initials ‘WRM’ above, blue line border, 8} in
diameter 125 0
A Liverpool bowl, the flared sides painted in blue on the exterior with chinoiserie landscapes, showing pagodas amid willow trees, with mountains and flocks of birds in the distance, the interior with a similar
mountainous landscape, within a cell-diaper border interspersed with scrolling flowers, 11J in diameter 46 0
A Lambeth, or Bristol polychrome dish, painted in tones of iron red, green and blue with alternate vase and mirror-shaped panels containing stylised flowers and peacock feathers, reserved on an iron red trellis ground,
the centre with a floral medallion, in diameter 40 0
A set of seventeen Bristol tiles painted in blue with scenes from the Old and New Testaments, within double blue line borders, the corners with dashes and flowerheads, 5 in square 34 0
A Bristol bowl with an everted piecrust rim decorated with blue ammonite scrolls, the interior painted with a seascape centred with a willow tree behind crossed rocks on an island, flanked by fishermen and pagodas,
the distance with four volcanoes and the outside decorated with flower scrolls, 10} in diameter 28 0
Leeds Ware
A figure of a blue roan horse, standing alert and unbridled with head raised and ears pricked a flowing mane and generous tail, the cream-coloured body well sponged in blue, and the brown hooves pegged into the flat
base, marbled in green, blue and ochre, 16 in high 2,800 0
A coffee-pot and cover, pear-shaped with leaf-moulded spout having floral and leaf terminals at the base as has also the entwined handle, the neck and cover with a beaded border, 9} in high 90 0
A figure of Venus standing in long robes with Cupid at one side and the dolphin at the other, she clasps to her breast a pair of billing doves, 7J in high 45 0
A creamware oval dish, the lobed rim with panels alternately pierced and painted in green enamel with sprays of flowers, the centre with another matching spray, 10| in diameter 32 0
A jug, transfer-printed in black with the Coopers’ Arms, the
reverse with a cooper at work, 8j in high 30 0
Liverpool Ware
A creamware jug of pear shape, with ribbed-strap handle,
amusingly painted on one side with a gentleman seated at a table, holding an ale glass and a pipe, a woman carrying in a jug closely followed by a small dog, the reverse inscribed James; Hornniblow In the Parish of
Sivern Stoke, 1783, all in tones of green, yellow, iron red and black, 8} in high A creamware jug transfer-printed in red with the American eagle surrounded by a linked chain, each with a state name, the reverse with a
compass entitled, Come Box the Compass, 7 in high
Lustreware
An unusual Sunderland tureen cover and ladle, of oval silver shape, transfer-printed on each side with a West View of the Cast Iron Bridge Over The River Wear, Sunderland, within pink lustre borders, the domed cover
with a scroll knop picked out in lustre, 12} in wide
A silver resist lustre jug, decorated with a crested bird perched on a branch between flowering plants, 5i in high
Martinware
A barn owl, naturalistically modelled with its head forming a cover, cocked on one side with a coy expression, its fat body with downy light brown feathers on his breast and dark brown on the back, its claws twisted in a
life-like manner, 9J in marked R. W. Martin & Bros, London & Southall, 12-1892, and on the back, wood stand
A grotesque bird and cover amusingly modelled as a crafty starling standing on a circular base with a blue-spotted brown breast and green, blue and brown wings, 1 OA in high, signed R. W. Martin, London & Southall,
wood stand
A pair of vases decorated on the brown oviform bodies with blue tits among apple blossom, the trumpet necks with more blossom, all tinged in blue, green and white, 10 in high, R. W. Martin & Bros, London & Southall,
1-1890.
Mason’s Ironstone
A dessert service elaborately moulded with overlapping leaves edged in blue and gilt and painted with sprays of pink roses and other coloured flowers, the tureens and stand with gilt animal’s-hcad handles and knops,
comprising: fruit stand, 2 sauce tureens, covers and stands, 3 shell dishes, 2 oval dishes, 2 shaped rectangular dishes, and 14 plates, impressed marks lion and unicorn and Patent Ironstone China
A pair of candlesticks painted around the foot and neck with flowers on a maroon ground and the stem with gilt bands and grapevine, ,r> \ in high, impressed marks
Pratt Ware
A bull-baiting group, the bull chained to a tree-stump, being baited by a spotted dog, both animals coloured in brown and ochre and the mound base sponged in green, 6J in high
A Toby jug, showing a man standing with a dog jumping up
at his side, wearing a tali brown hat, blue coat, ochre waistcoat, yellow breeches and tall brown boots, a goblet in one hand, his other hand on his hip, 9J in high 70 0
A group of a sheep standing with a lamb at its side, both with sponged ochre markings and brown eyes, horns and hooves, standing on a flat green-glazed base with shaped edge, 5 in high 48 0
A teapot of rectangular shape with fluted corners, the sides moulded in relief with caricatures coloured in blue, ochre, green and brown, the ends with flower sprays and corkscrew borders, 4} in high 38 0
A figure of Winter as a child wrapped in a long cloak standing on a leaf-scroll mound with square base, sponged in blue and ochre and covered in greenish glaze, 5 in high 25 0
Salt glaze
A bear jug and cover formed by the head, the bear clutching with both hands a small dog and with a collar about its neck with patterns in dark brown, the body covered with grit, 10} in high 70 0
A teapot and cover, the bag-shaped body moulded in relief with pccten-shells and figures, the spout modelled in the form of a serpent’s head, with plain loop handle, on an oval base, the ribbed cover with a high knop,
5 in high 55 0
A cup of almost bell shape, with ribbed-strap handle, crisply moulded with upright panels of fables, animals, portrait heads, hunting scenes and coats-of-arms, 3} in high 48 0
Staffordshire Figures and Groups
A figure of Tom Molyneux with fists raised in pugilistic attitude, the American boxer with curly black hair, wearing yellow breeches, standing on green base with brown post support, 8J in high 380 0
A figure of a cavalry officer as a general on a red brown horse,
turned in his saddle and wearing full uniform, 10} in high 360 0
A bust of Garrick as Othello from Shakespeare’s tragedy, the actor with blackened face and red turbaned head-dress, wearing a lilac tunic, supported on a brown marbled socle, 7 J in high 290 0
A cow creamer, modelled with a cow and calf on a high mound base with fruiting tree support, the cow mottled in brown and ochre, 7} in high 265 0
An Obadiah Shcrratt group of lovers sitting under an oak tree laden with acorns, the young man proposing to his companion and holding a ring, the girl turned coyly away, the base edged with coloured scrolls and
applied with a label, inscribed Perswaition, 9 in high 240 0
A group, forming a tree-trunk vase, a small boy reaching up into the trees to a bird’s nest, the base with two figures of leopards, 8} in high 150 0
Tithe pig group. A tree-trunk vase, showing the wife presenting her baby with a priest at one side and her husband holding
a pig at the other, the base with pigs, corn and a basket of eggs, 8} in high
Pastoral musicians. A group of a boy and a girl in front of a flowering arbour, the boy playing a pipe, in blue coat and yellow trousers, his companion playing a tambourine, wearing pink bodice and flowered skirt, pink
marbled base, 9i in liigh
A figure of a fowler standing with his fowling piece at his side and a goose in his arms, wearing black hat, turquoise jacket and fawn breeches, tree-trunk support, on scroll-edged mound on a square base, 9} in high,
numeral 48 in red
The Gobbler and his Wife. The man working with a shoe on his knee, a hammer and pot at his side, and wearing a black-brimmed yellow hat, grey shirt with rolled-up sleeves, green jerkin, large brown apron, red
breeches and blue boots, his wife holding a jug in one hand and a tumbler in the other and wearing a soft cap, green jacket, blue apron swept to one side and patched red skirt, both figures seated on stools, on flat
rectangular bases, 6} in and 6 in high
A sheep hollow-moulded, the animal with legs spread across grassy mound base, its tightly curled body splashed in ochre, 5 in high
Stoneware
A Nottingham mug of cylindrical form, with grooved strap handle, incised with two horizontal bands of scrolling flower sprays divided by zig-zag borders, the rim incised with the date 1727, 4i in high
A Nottingham loving cup of campana shape, with double-grooved strap handles, applied on each side with a rectangular panel of granular chippings, 5 in high
A Nottingham brown-glazed tile of square shape, incised with a central stylised florette enclosed within a circular medallion, and with a quatrefoil lozenge motif at each corner, 5} in square
Wedgwood
A pair of blue jasper urns and covers decorated in white relief with Pan, dancing figures, musicians below fruiting vine borders and between stiff leaves on a pale blue jasper ground, supported on circular feet and
square bases, 24} in high, impressed marks
A pair of campana-shaped vases and covers decorated with scenes similar to the preceding lot, the allegorical figures in white on a pale blue ground, 21 in high, impressed marks
A Jasperwarc plaque of rectangular shape decorated in white relief on a black ground depicting Greek figures performing ritual sacrifices within a wreath of berried leaves, edged with a cane-coloured border, 18} in by
C in, impressed Wedgwood, framed
A pair of Wedgwood buckles, decorated in white relief on the blue jasper ground with classical figures, one with a sacrificial scene, the other with a classically draped man and woman beside a pedestal, within gold and
cut steel frames by Matthew
Boulton, and with the original clasps trimmed with blue and
white ribbons sewn with sequins, overall height 2 in 130 0
A set of ten black basaltes medallions, moulded in relief with the heads of figures from Greek mythology, all treated with a smear glaze, 2} in wide, impressed marks 125 0
A pair of plaques in black basaltes, decorated in relief with Hercules and the Nemean lion and a boar hunter returning from the chase, 7 in wide, impressed marks, framed and glazed 100 0
A bust of Lord Nelson in full uniform, turned slightly to dexter, half length, the sash superimposed with a medal inscribed Nile, on a circular socle, the back impressed with his name and inscribed Pubd July 22nd 1798 R.
Shout Sep Holborn, lli in high, impressed mark 100 0
A creamware teapot and cover, the ovoid body attractively enamelled by David Rhodes on one side with a young girl holding a fan in a landscape, the reverse with a tall red-roofed house in a park, the whole in bright
tones of iron red, puce, green and grey, with strap handle and shell-moulded spout, the cover decorated with flower sprays and with pierced bun knop, 6 in high 75 0
A blue jasper plaque decorated in white relief with a portrait of Mrs Siddons from the model by John Flaxman in the role of the Tragic Muse, 5 in wide, impressed mark 50 0
A pair of creamware soup plates transfer-printed in lilac, one with two horsemen galloping past a cottage, the other with a man fishing from a river bank before a ruined tower, the rims with feather-moulded edges and
printed with sprays of flowers, 9$ in diameter, incised leaf marks 40 0
A crocus pot, naturalistically modelled in the form of a hedgehog, its arched brown body moulded with quills and pierced with symmetrical rows of holes, 9} in high 40 0
A creamware oval stand for a sauce tureen, with feather-moulded rim, attractively transfer-printed in black with exotic birds in a park, surrounded by birds in branches divided by flower sprays, 10J in wide 12 0
A portrait medallion, bearing the white profile portrait of Sir W. J. Hooker, on a green jasper dip ground, 2| in wide, impressed mark 8 0
Whieldon
A figure of a frog, crouched as if about to leap, and covered in
a mottled greenish brown glaze, 3} in high 160 0
A teapot and cover, the round body and cover moulded as a basket of fruit and leaves which arc covered in green, blue, yellow and manganese mottled glaze, with indented loop handle, leaf-moulded base to the spout,
and cauliflower knop to the inset cover, 4} in high 95 0
A teabowl and saucer, each piece covered with a mottled tor-
toiseshell glaze, and splashed in green and orhre 46 0
Wood—Enoch and Ralph
A Ralph Wood set of the seasons, each figure on a green and brown mound and square base, Spring with a basket and posy
of flowers, Summer with a sickle and sheaf of corn, Autumn with a goblet and bunch of grapes, and Winter skating, the two girls with yellow bodices and flowered skirts and the two young men with yellow breeches
and pink coats, 7} in high
A Ralph Wood stirrup cup in the form of a hare’s head, glazed in manganese and rising above the fluted neck edged in blue, strap handle, 6 in high
A Ralph Wood Toby jug, the grinning man shown seated on a high-backed chair, holding a foaming jug of ale on his knees, he wears grey tricorn hat, blue jacket, green waistcoat and breeches and grey shoes, his
coarse-featured face splashed in brown, 9} in high
A Ralph Wood Fair Hebe jug, modelled by Jean Voyez, one side of the green oak tree trunk moulded in relief with a young man in blue jacket and yellow breeches, handing a bird’s nest to his companion, who sits
wearing a blue dress at his side, a songsheet entitled Fair Hebe above them, the reverse with a toper standing with his dog, the trunk signed J. Voyez, 1788, 9} in high (restored)
An Enoch Wood group of the Virgin and Child, the Virgin seated on a grassy mound and holding the infant Jesus on her lap, she wears a white veil, a long white dress sprigged in puce and a yellow-lined red cloak, the
child with his arms outstretched to kiss her and wearing only a white drapery, 13 in high
An Enoch Wood teapot and cover of Castleford type, moulded on each side with arcaded panels of classical figures, divided by stiff leaves, reserved on a pricked ground, below a border of gadroons, the whole picked
out in green, blue, turquoise and iron-red, 6} in high, mark Wood impressed and coloured in blue
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